The “Big Six” publishers are now officially the “Big
Five.” http://www.nytimes.com/2013/07/10/opinion/book-publishings-big-gamble.html?hp&_r=0
Does it matter? Not in my opinion. At least, not by the
way readers shop.
Times have changed, which is exactly why the Big Five are
changing.
Once upon a time it was commonplace to find at the end of
a shopping aisle a revolving metal tree filled with a specific publisher’s
books. Often, paperbacks were lined in wooden bins by the publisher and genre. Those
days are gone. In the brick and mortar stores, books are housed by
genre/category for the buyers’ convenience. Who the publisher is has become
mostly irrelevant to shoppers. We only have to examine book covers to confirm
that belief. Publisher logos have been reduced to the size of footnotes, a
postage stamp advertising the delivery method if you will.
The method of shopping has changed dramatically because
of the Internet. Book covers are digital thumbnails potential buyers browse
past in their search for a good story. Even Harlequin, a once testament to
visual branding, is redesigning their covers to try and adjust to the split
second of attention they have from potential Internet buyers. Bookstores
rarely, these days, have the space to isolate a publisher’s books and now mix
them on the shelves with other publishers by genre, not the brand name. Alphabetical
listings are by the authors’ names, not the publisher.
Yes, there are and will always be some readers who
connect with a specific brand such as Harlequin. But the bulk of readership,
inundated by the steady supply of books hitting the digital bookshelves from
unknown and untested publishers, not to mention the self-publishing gold rush,
has relegated the publisher’s importance to a ‘second thought’ status. That said,
there is an area of reader importance publishers still hold a fingernail grasp
over – genres not yet considered mainstream.
Readers looking for books such as same sex stories, erotica,
or extreme mental/visual images such
as gore, still tend to migrate to publishers focused on providing high levels of editing and a ready stable of skilled authors in a specific genre. However, as the smaller indie publishers vie for a foothold, these indie publishers aren’t the least bit shy about expanding their interests to swaying genre readers to their own book lists. Few “romance” publishers now limit their inventory to strictly vanilla heterosexual tales. They want those erotica and same sex readers, those book buyers, to give their authors a try, too.
as gore, still tend to migrate to publishers focused on providing high levels of editing and a ready stable of skilled authors in a specific genre. However, as the smaller indie publishers vie for a foothold, these indie publishers aren’t the least bit shy about expanding their interests to swaying genre readers to their own book lists. Few “romance” publishers now limit their inventory to strictly vanilla heterosexual tales. They want those erotica and same sex readers, those book buyers, to give their authors a try, too.
Young Adult (YA) and MM (men with men) books are two of
the hottest rising genres. Simply put, there’s money to be made. Wiley publishers
are quickly adjusting their strategies to accommodate those readers and
expanding their once rigid publication interests. Many MM publishers now have a
YA division. The reverse is also true. And, there’s nothing wrong with that.
Publishing is a business – a constantly shifting business still whirling in a
funnel of confusion brought on by the Internet and its endless opportunities
for entrepreneurs. To survive, publishers have to sell books, and that means
finding readers willing to invest in their product. And, due to the waterfall
of books gushing into the daily pipeline of availability, publishers have to
spread their literary nets to gather in all the potential customers they can.
The same holds true for authors. Few limit themselves to one publisher and aren’t
afraid of self-publishing should a publisher quaver on a project. Authors understand
they need to keep their own supply of books flowing to readers or risk becoming
yesterday’s news. As I said, publishing is a business, and authors depend on
the sales of their books to pay the bills.
And there it is in a nutshell. The methods of selling
books have changed. Authors have no choice but to compete by keeping their names
and books in front of readers. The publishers who understand this have kicked
their production lines into high gear in order to compete against indie
publishers and the self-publishing industry. One person, one self-published
author, can make a difference; a financial difference publishers must offer
high paying contracts to in order to corral that author’s fans.
There will, hopefully, always be those large, big-named, pie in the sky
publishers authors dream about. However, readers just aren’t that
worried about who published the book they love anymore. My generation, the one
raised with bestselling books lined up below racks of camera film at the end of
grocery store checkout lanes, is fading. New generations of readers are finding
their own way to shop utilizing the palm-held technology they are being raised
with. Where I thought my first AM portable radio was a public symbol of my growth
into puberty, there are now some teens who don’t know what AM radios were. It
is quite possible a generation that will never hold a print book in their hands
beyond curiosity at how their ancestors used to read may be a mere decade or
two away from being born.
How can publishers adjust? Some already have. Kensington
Books, a publisher I believe has yet to receive the industry respect it
deserves, has opened an e-publishing division. Even Trident Media Group, a renowned
literary agency representing authors, has opened an e-publishing division with
hundreds of books available to consumers.
Many authors, my daydreamer self included, will continue
to hold a contract with a Big Five publisher to be the holy grail of writing. For
those who achieve that perceived pinnacle of success, their author friends will
congratulate them with toasts of digital champagne. But the reality is, while we
authors continue to gravitate to publishers who can provide professional
editing, marketing and help generate sales, readers will simply ask, “When’s your
next book coming out?”.
Welcome to the future.
By the way…. HC Brown and I recently signed a contract
with Steam EReads, a romance publisher located in Australia, to publish our co-written
erotic romance trilogy DEAR K. We’re really excited about this partnering and
hope readers will be too. Look for DEAR K this August.
Great post :-)
ReplyDeleteGreat article and so true about the changing face of publishing!
ReplyDelete